Monday 23 October 2017

Explain how representations in music videos are chosen to promote the artist(s) - Massive Attack & Radiohead

Explain how representations in music videos are chosen to promote the artist(s) - Massive Attack & Radiohead...


Radiohead. A classic of alternative British music, maybe even said in the same breath as other alternative greats. Massive attack. A legacy of British hip hop and post punk attitude to music. Each represent each in different ways, each being better for the different bands. Here is my interpretation of each bands music video, Burn the Witch by Radiohead & Unfinished Sympathy by Massive Attack.

First of all, an analysis of the music of Burn the Witch, the chords chosen and the instruments used, and to what effect these certain things have on the audience. Now to begin heavier, the key chosen for the songs. Looking at it, it would seem quite simple, F Sharp Major is used. However, the chords used do not follow F Sharp Major, and instead follows the chords of F Sharp Minor but all the chords are major. This technique is hard to explain but easy to explain the effects it creates. As a listener to the song, you have a sense of creepy happiness, out of place happiness. The instrumentation changes the feeling of the song, and emphasizes this weird choice of musical theory, as the full orchestra sounds more horror than the happy major sound of the chords. This as an audience enhances the effect of the songs choices. However, as a critic, I prefer the live version, as the light instrumentation creates a sense of subdued foreboding I haven't seen a band do ever. The lyrics of Burn the Witch perfectly fit the instrumentation, showing and creating parallels of a hidden happiness which seems odd and out of place. In my opinion, the song shows the alienation of British culture and the fear of standing up to injustice seen in our modern society. It is therefore interesting that the music video creates a clear link between the song and The Wicker Man, a film entailing the demise of a man who was alienated by a community of crazed fanatics. However, this music video isn't all connected by theme. A huge juxtaposition of the music video is the use of animation seen in the video and the content this music video explore, such as religion, alienation, surveillance and hatred, as the video shows graphic material from the Bible and satanism with a bright, childlike animation style. This form of animation actually refers to the Trumptonshire Trilogy, a childhood series of Radiohead. This could be to market to a certain audience for Radiohead. However, I see it more as an oxymoronic style of animation the songs content and context that really shows Radioheads style of plain old bizarre. This video, and its representation, appeals to the interesting demographic of Radiohead. A weird and bizarre adventure that is psychedelic in nature. The fact that you can tell it's Radiohead without having Radiohead in it says something about the music and the video that accompanies.

Next, an analysis of the music of Unfinished Sympathy and what effect it has on the audience. To make it easier, the production of the music is quite effective and simple, taking queues and ideas from American hip hop and its sampling. Using samples from Jazz &C. genres. This style of production, whilst using quite classic and old fashioned samples, creates a weathered and aged feeling. This is also supported by the mixing of the song, having quite an aged and crackling sound. The way the song is made seems quite modern, especially the use of orchestral backing, seen in other hip hop music like Eminem, Plan B, etc. This unique instrumentation creates a huge weight to the music that might not be there if traditional hip hop production was used. Next is the lyrics, to some it seems quite plain and simple... a love song. But from my perspective, due to the over flood of love songs, there is a kind of cliche attitude towards any love song and the emotion. However, there is a kind of hate to this song that makes me think it's not a love song but instead a song of hatred that leads to obsession, the title also seems quiet supportive of this not being a love song, with Unfinished Sympathy having a sense of cut off care, maybe due to an abusive relationship or even an unrequited love? Once looked into deeper, this song means so many things from different perspectives. An interesting thing about this video is the realistic background to the surrealist main lead, an impossible forth wall lead with a quite average normal day life. This makes it so the people you see seem more realistic but the lead Shara Nelson doesn't. It helps the lead stand out. The way the band mates are represented is quite minimal because you don't really see style of them.

Overall, I believe the representation of each music video and song is drastically different, with Burn the Witch oozing stylistic choices only Radiohead would make, whilst Unfinished Sympathy is quite bland in the way it is shot, the colour scheme, and the style. However, both have different aims, with Radiohead wanting to be as Radiohead as possible, whilst Massive attack wanted a more real video. It's my opinion though that representation is so much better in Burn the Witch because it's so weird only Radiohead would do it. Whilst Unfinished Sympathy seems cliche, not at the time, but as a viewer now, most viewer have seen a better executed version of this.

Friday 20 October 2017

The Big Issue - Part (1) [Script]

Big Issue


Timeline Video


Black


Sixteen by The Heavy is heard.


Fade in


See a white background with a small logo, The Big Issue.


Zoom in slowly to the centre where there is The Big Issue logo. (5 seconds)


Before zoomed in fully.


Narrator
(Relaxed tone) This video is a presentation on a timeline of a company and the help it has given to others in our world, helping people actually stay alive. This is… (14 seconds)


Camera quickly zooms into The Big Issue logo. (2 seconds)


Narrator
The Big Issue. (2 seconds)


The Big Issue logo then morphs into a drawing of Gordon Roddick and A. John Bird. Writing then is shown explaining who these people are and what they have done. (30 seconds)


We see a picture of a manager at The Big Issue working. (41 seconds)


I was fortunate enough to be able to give structure to a full working
day. Generating a client base by keeping within a set timeframe and setting standards for myself through direct sales was a stimulating experience. Liaising with management and co-workers was an imperative part in creating a healthy culture. I always deal with challenges by monitoring my response and its outcomes whether positive or negative. This is a crucial part of my work ethos and is a
way of learning to adapt to a variety of different scenarios and personality types making for an enjoyable work environment. (39 seconds)


We then see a homeless man on the street. He is given papers and is seen working with this testimonial. (12 seconds)


"It’s great when people stop and say hello, it’s nice to feel part of the community and feel that people actually care." (10 seconds)


Bryan Rowe, Big Issue Vendor

  1. People who live in an urban area
  2. People with nothing to do
  3. Adults of both genders
  4. People who want to support the homeless
With an explanation of their political ideologies. (40 seconds)


Fin

Sorry this is so short, due to the length of the animation, this is taking longer than once thought. However, this will be done at least by the date 31st of October.

The Gaze... Further Interpretation

A video that supports and markets sexualisation of males to an extreme is seen in the video "Untitled (How does it feel)" By D'Angelo... 


As you can see this is one continuous shot that zooms in on the sexually chraged areas of the body, i.e. the lips, chest, lower body, ect. This style of film making makes the whole experience feel intimate. It has been said later that D'Angelo regrets this music video as he is now seen as that one naked guy, which is extremely disrespectful to one of the best R&B singers of the time. Overall, this music video is popular. However, this video really ruined the singers reputation, as this is one of his most popular songs he has ever created.

Wednesday 4 October 2017

Radiohead

Musical Inspirations


The Smiths...

Known for their historical stamp on the indie scene, they created the weird and hallucination, psychedelic style that Radiohead have adapted, it is most prevalent in their album Kid A, with its interesting chords and background noises which creates a sense of dream state hallucinations, seen relevantly in Radioheads "How to disappear completely" on the album Kid A. Seen below. This is a huge inspiration on Thom Yorke, saying...


"I think I went [to Smiths shows] about ten or fifteen times. I'd stay with him and we saw a couple of shows." ~ Thom Yorke



... and was also a huge influence Ed O'Brien, saying...


"I only went to Manchester really because of the music scene and really because of the Smiths. And when I got there, within a month I got seven Smiths shows." ~ Ed O'Brien





The Pixies and Throwing Muses...


Known for their huge stamp on the alternative rock movement, basically making Nirvana and more what they were, there is no wonder that The Pixies were a huge influence on Radiohead and their first album, especially the song "Creep"... especially when the MTV Unplugged version is the exactly the same as The Pixies live recordings. Throwing Muses replicate this feeling with more standard style songs (without the weirdness of The Pixies).





- "Our teenage years we were all about going down to London and seeing all of favorite Boston bands, Throwing Muses and Pixies — that sort of music, really. Boston is so much cooler. I had no idea, I had never been anywhere near America." ~ Jonny Greenwood




















Fleetwood Mac...


Known for their creativity and versatility in music, fleetwood mac seems like an easy inspiration for Radiohead. An influence that is seen in their changing style in albums. Also the way the drums and bass are composed harkons to Fleetwood Mac. A weird but understandable comparision would be Paranoid Android by Radiohead.


- "Well I try to tell everyone, I'm a complete fan of Fleetwood Mac. I put a couple of thing on the webcast and I thought I would hear some mutterings about it. I didn't say what it was, and they'd say, 'Wow, that was great, what was it?' and I would say, 'Fleetwood Mac, you bastards!' Our manager introduced me to Fleetwood Mac years ago because he knows Peter Green-era, sort of psychedelic folk blues. Just the way it was recorded with the drums, the dry drums with the percussion in the background. Just really amazing and it sounds really modern to me as well. I just think it's great." ~ Colin Greenwood